By turns evoking the spectral scene of Heinrich von Kleist’s marionette theatre and confronting what Tavia Nyong’o refers to as being the “unsuccessful humor” in the ceramic figurine’s “racist kitsch,” Organ Player aestheticizes the intertwined marriage among race, subjectivity, and grace. Given that the doll’s body composes itself, at what https://marcoimpsn.sharebyblog.com/30946493/getting-my-organ-player-to-work